SIMON PARKER
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  • POETRY
    • Three Poems from Three Years
    • Eve
    • Via Dolorosa
    • Unfolding
    • Street Scene
    • a disappearing
    • Said and done
    • Ingres and Delacroix share a coffee
    • If you follow the silk road
    • n.b. for Barney
    • Who Can Erase The Traces?
  • Theatre
    • Aching Parts
    • Mooring
    • The Right Kind of Violence
    • Vex
    • Take me to where the arrows no longer fall
    • Yellow Fever
    • Own Goal
    • Just Like Flies
    • Snap
    • Home
  • Fictions
    • Gross
    • The 7.22
    • For Those Who Trespass
    • Karaoke
    • We Only Notice When It's Gone
    • This is a story that I am going to make a story out of
    • Les Anglais en Vacances
    • She
    • La Comedie Humaine
  • LIVEWORKS
    • After Bacchae at the National Theatree
    • After Nye at the National Theatre
    • Watching Coriolanus at the National Theatre
    • Watching Phaedra at the National Theatre
    • Notes from a wanderer
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October '25
MockingHeart Review,  published my poem, After the Rupture which was inspired by Clemency* Burton -Hill and the devastating Arena documentary on her recovery from a brain haemorrhage. You can watch it here
* Clemency's name is misspelt on their website despite my pleas to get it right

September '25
My poem on the tragic death of Albrecht Haushofer, Heimat, has been published in Prosetrics Literary Magazine. Their Whelve issue is out now.

June '25
The Crank, Humphrey Astley's literary magazine with a contrarian bent, has published my poem on Osip Mandelstam which you can read here

May '25
Today, May 28th,  I have made it to three years of a poem a day. It has been a morning ritual, a limbering up for the day, which has led to me writing more and going back to craft some of those poems into finer shape. You can read one from each year here

March '25
For the second year running,  my poetry was amongst the highly commended for the Erbacce Poetry Prize
​
The  Ekphrastic Review published my poem Eve,  a response to Dyane Jackson's artwork of the same name

February '25
One thousand daily poems, one thousand ways of exploring the days here
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November '24

What lies beneath this rising, a poem responding to  a stunning, subtle and  unsettling artwork made in response to bones from a slave cemetry disturbing sunbathers' delight has been published by Cathexis Northwest Press. Read it here

October '24
New love, new neurosis, New York, New York, the Gramercy Review pushing out new poetry: Bringing her back here

July ‘24
The Mackinaw, an online literary journal,  published six of my prose poems which you can read here...

Lorette C. Luzajic, at The Ekphrastic Review, published my piece on Philip Guston which you can read here

In the Classical Association Poetry Competition, my poem Ariadne Sings the Blues was highly commended 

June '24
The Ekphrastic Review published my prose poem on Arshile Gorky, Gorky as Naturalist? Read it here

​I made it to two years of writing a poem a day, a sort of journal in verse. Read more here

May '24
My poetry was highly commended in the Erbacce Prize and shortlisted for the Atremesia Poetry Prize

April '24
The  Ekphrastic Review published my prose poem Via Dolorosa on the 19th

The Pomegranate London are to publish my poem Every hollow holds a hallow in  their Issue 6

August '23
My Homage to Nina Simone , a response to Bob Thompson's painting was published in The Ekphrastic Review. A huge  t
hankyou  to Lorette C. Luzajic  and all the fantastic work she does there

​June '23
On May 28th,  I completed  the challenge set of writing a poem a day for a year : a reflection on the previous day's events, personal & political. You can read more here
November '22
The Ekphrastic Review  published my poem One trick, a response to Gustave Dore's Les Saltimbanques

September '22
Three of my poems were  longlisted for this year's MONO Poetry Prize.

August '22

For a second time The Ekphrastic Review published a poem of mine, Memory Cannot  Persist, a response to Dali's The Persistence of Memory. Thanks to Lorette C. Luzajic  and all the work she does there.

July '22
The Ekphrastic Review published my poem, dadda, where are you, responding to Robert Rauschenberg's Factum 1

June '21

Furrow,  the play written in lockdown with Abraham Parker, has had its  first staging as part of the Wandsworth Arts Fringe.  We will be performing it again on 9th, 10th, 11th July. 
​
February '21

The thaw has brought site visits to London's green spaces for the post-lockdown staging of Furrow, a new play co-written with Abraham Parker for Vocal Point Theatre. Hopefully, as the world opens up the first performances will take place in July this year.

January '21
Amidst the gloom of winter's dark and a lockdown, George Saunders has offered a wonderful gift to all readers and writers to lift the spirits. Having just finished his wonderful book,  A Swim in a Pond in the Rain, I can only say thank you.

June '20
The first draft of a new play finished; co-written - in the most unusual way -with Abraham Parker for Vocal Point.
​
December '19
Aching Parts: On the  long list for the script development submission at the Traverse Theatre, Edinburgh.
November  '19
Aching Parts: an informal reading with actors, Karen Archer, David Collings & Leda Douglas, to a small invited audience. The reading was followed by a feedback session with comments, questions and suggestions to help take the play forward.
May '19
Haunted: a script development workshop for a new play about the two Marys, Wollstonecraft and Shelley, with young actors at LEH School for Write The Girl project. Currently in development.
November '18
The Right Kind of Violence: reading with actors George MacKay, Kezia Joseph, Adam Newington, Faaiz Mbelizi, Karen Archer & Rupert Simonian.
September '17
​The Right Kind of Violence: long listed for the Bruntwood Prize for Playwriting
August '18
Mooring: Two nights performance at Tom Thumb Theatre , Margate.
April '18
The Right Kind of Violence: long listed by BBC for Writersroom Drama Submission.
November '17
Mooring: tour of homeless and vulnerable centre and recovery colleges, including 240 Project, St Mungo's, Bethany House (Islington), Conway House (Kilburn), & The Spitalfields Trust, culminating in a final public performance at St Leonard's Church, Shoreditch on Tuesday 21st November.
June '17
We Only Notice When It's Gone: finalist for the Galtelli Literary Prize, an international short story award in honour of Grazia Deledda.
 January '17
Yellow Fever: an abridged version of the play directed by Alex Buranova at Microtheater, Los Angeles.
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  • Home
  • Blog
  • POETRY
    • Three Poems from Three Years
    • Eve
    • Via Dolorosa
    • Unfolding
    • Street Scene
    • a disappearing
    • Said and done
    • Ingres and Delacroix share a coffee
    • If you follow the silk road
    • n.b. for Barney
    • Who Can Erase The Traces?
  • Theatre
    • Aching Parts
    • Mooring
    • The Right Kind of Violence
    • Vex
    • Take me to where the arrows no longer fall
    • Yellow Fever
    • Own Goal
    • Just Like Flies
    • Snap
    • Home
  • Fictions
    • Gross
    • The 7.22
    • For Those Who Trespass
    • Karaoke
    • We Only Notice When It's Gone
    • This is a story that I am going to make a story out of
    • Les Anglais en Vacances
    • She
    • La Comedie Humaine
  • LIVEWORKS
    • After Bacchae at the National Theatree
    • After Nye at the National Theatre
    • Watching Coriolanus at the National Theatre
    • Watching Phaedra at the National Theatre
    • Notes from a wanderer
  • News
  • Contact